From The Times, July 2009:
Isaacs’s fascination with the sort of complex and intriguing characters who populate his films started in his teens.
“I hit 13 in 1980, and it was a very interesting time because there were riots going on and life was very unstable and fragile. That was the first time that the world seemed not as fixed as I had thought. I also had a job in Petticoat Lane market. And the characters around there were incredible — Jewish market stall traders, skinheads, Bengalis. Growing up in that era was a kind of awakening in terms of being interested in what was going on around me instead of being focused in on your own little street in suburbia.â€
Isaacs was born in the East End, but his family soon moved out to “a hellhole called Redbridge [in northeast London]. It’s bleak now, but was really bleak back then. The boredom drove some people into crime — most people into crime in fact — and others into shady areas of documentary film-making.â€
Marc Isaacs’ breakout film Lift was excellent – fresh and humane. Filmed over the course of several months in the lift of a council block in east London, he slowly develops a realtionship with a number of residents (I wonder if people on the ground floor started using the lift to get in the film?). He shares only snatches of conversation with his subjects, but we learn a surprising amount; as much from their non-verbal interaction as their words.
His latest effort, Outside The Court screened on BBC2 recently is remarkably similar in format, except it takes place outside Highbury Magistrates court. As in Lift, we get to know a number of individuals – some charming, some pitiful and some amusing. It lacks its predecessors intimacy, however and its freshness. Time for a change?


